I'll assume you meant "what does..."Jovis wrote:BTW, why does everybody think of Middle 8s?
I'm not sure to be honest. I heard a song once that was simply four verses, four choruses with the last chorus doubled up. Then on a re-record the third chorus (sadly a better lyrical effort than the last) was omitted in favour of a baritone sax solo (as was the fashion in the late 80s.) The first effort, combined with a strong acoustic guitar-dominated backing track, was much better and flowed a bit more.
In my own songwriting, they usually are just lazy minor key sidenotes that I get through as soon as possible, or an instrumental version of a verse.
Best middle 8s of our time have to be the poignant yet true-to-rock-roots one from Queen's These Are The Days Of Our Lives; the absurd, never ending middle 64 from Sweet Child O' Mine by Guns N Roses, and anyone who moans about Have A Nice Day's (Phonics) or A Design For Life (Manics) middle 8s will be taken out and shot!
