Metropol

I really feel this needs discussed further

Isn't she related to Maxine Swaby?

Oh, that reminds me, I must remember to get down on Friday!

The middle-8 is the best bit.

She really does have the singing voice of Microsoft Sam.

I've never heard a whole song devoted to a person's inner struggle as to what seat to take.

I might sing this to the passenger's when I got on board the train. I mean, kickin' in the front seat (commuters), sitting in the back seat (elderly people who travel at 7am for no real reason). It's always tough to make my mind which seat can I take?

I've decided that the songwriter (who was clearly working to a deadline) had a flash of inspiration at the start, deciding that "front seat" and "back seat" are metaphors for how to live your life. Sadly this inspiration sapped their energy and we are forced to hear a list of days, which may or may not be informative for younger viewers.

I note it's now #69 in the iTunes top 100.

It opens up a far more serious question.

What drove Clarence Jey and Patrice Wilson to expose a 13-year old girl whose voice has yet to mature to the savagery of the world wide web? No amount of money, fame, stardom, column inches or endorsements is going to comfort Rebecca who, at this moment, is probably sobbing into her pillow.

The people behind Justin Beiber and Willow Smith, I'm looking at you. Your wallets are not worth a child's soul.

That has to be, without a doubt, the worst song I've ever heard.

Is it wrong that I can't stop playing it?